#Interview by Korean literature prof. Bang Min-ho
It was actually the unluckiest day for the main character. This writer created a very witty title for the story. It seemed to be a lucky day, but turned out to be the most unfortunate day, but still he gave it the title “A Lucky Day.” That title engaged readers so much that they had to keep reading to see how that lucky day would progress.
The story is about a day in the life of a rickshaw puller, Kim Cheom-ji, in Seoul in the 1920s, during the Japanese occupation. Just like the title indicates, it was a very special day for Kim Cheom-ji.
It was a rainy day, with the half-frozen rainwater, not snow, falling from the prudish, cloudy sky.
This was a lucky day, long in coming, for Kim Cheom-ji, who worked as a rickshaw man inside of the Dongsomun area.
Having been awfully unlucky, Kim Cheom-ji hadn’t seen any money for nearly ten days, so he was delighted to the point of nearly crying when three and five 10-cent coins dropped onto his palm.
새침하게 흐린 품이 눈이 올 듯하더니
눈은 아니 오고 얼다가 만 비가 추적추적 내리는 날이었다.
이날이야말로 동소문 안에서 인력거꾼 노릇을 하는 김첨지에게는
오래간만에도 닥친 운수 좋은 날이었다.
그야말로 재수가 옴 붙어서 근 열흘 동안 돈 구경도 못한 김첨지는
10전짜리 백동화 서 푼 또는 다섯 푼이 찰깍하고 손바닥에 떨어질 제
거의 눈물을 흘릴 만큼 기뻤었다.
Fat drops of tears falling down from the eyes of a living person dampens the dead person’s stiff face. Suddenly, Kim Cheom-ji muttered while wildly rubbing his face against the dead wife’s face.
“I brought you the beef soup, but why can’t you eat it? Why can’t you? Today was strangely lucky…”
산 사람의 눈에서 떨어진 닭의똥같은 눈물이
죽은 이의 뻣뻣한 얼굴에 어룽어룽 적신다.
문득 김첨지는 미친 듯이 제 얼굴을 죽은 이의 얼굴에 한데 비비대며 중얼거렸다.
“설렁탕을 사다놓았는데 웨 먹지를 못하니, 웨 먹지를 못하니.......
괴상하게도 오늘은! 운수가, 좋드니만........
Hyun Jin-geon: Born in Daegu, Gyeongsangbuk-do Province in 1900. Arrested by the Japanese and imprisoned for a year in 397 when working as a newspaper reporter for erasing the Japanese flag from the uniform of Korean marathoner Sohn Kee-chung, who won gold medal at the 1936 Berlin Summer Olympic Games. “A Lucky Day” was published in Volume 48 of literary magazine “Gaebyeok” in June 1924. It is touted as a landmark piece in Hyun’s career as well as in Korean literary history.